| Book Cover / Buchtitel | 1 |
| Imprint / Impressum | 4 |
| Preface / Vorwort | 7 |
| Contents / Inhalt | 9 |
| Introduction/Einleitung (Jana Esther Fries, Doris Gutsmiedl-Schümann, Jo Zalea Matias, Ulrike Rambuscheck) | 11 |
| The Representation of Gallic and Celtic Women. An Iconography Fixed in the Ungendered Approach to Archaeological and Historical Data (Chloé Belard) | 23 |
| Abstract | 23 |
| Zusammenfassung | 23 |
| Femininity required for Iron Age women in modern pictures | 24 |
| The traditional correlation between women and the domestic sphere | 27 |
| The representations of the “good wife” and the “Gallic family” | 30 |
| Challenging the traditional representations of women with the archaeological and ethnographic records | 34 |
| Iron Age artistic representations of women in Western and Central European areas | 37 |
| Conclusion | 42 |
| Bibliography | 43 |
| How to Make Prehistory Attractive. Women’s Representation of the Bronze and Iron Age (Caroline Trémeaud) | 47 |
| Abstract | 47 |
| Zusammenfassung | 47 |
| Define images | 49 |
| Deconstruct images | 52 |
| Graphic solutions: a link between techniques and aim? | 54 |
| Reconstructing the human figure: a necessary reflection on gender | 59 |
| Conclusion | 61 |
| Bibliography | 62 |
| “It has always been like that …” How Televised Prehistory Explains what is Natural (Georg Koch) | 65 |
| Abstract | 65 |
| Zusammenfassung | 65 |
| Gender relations in popular prehistory | 66 |
| An analysis of prehistory on television | 68 |
| ‘Man, the Hunter’ in television documentaries – 1980s and 1990s | 68 |
| The diffusion of docu-dramas in the 2000s | 73 |
| Explanations from the past – the 2010s | 75 |
| Natural behaviour from prehistory | 78 |
| Prehistory as an experience | 79 |
| A brief conclusion: gender topics as an example for changing science communication | 81 |
| Sources | 82 |
| Filmography (chronological) | 82 |
| Bibliography | 82 |
| Is it all Warfare and Treasure Hunting? Gender Roles and Representations in Video Games (Rachael Sycamore) | 85 |
| Abstract | 85 |
| Zusammenfassung | 85 |
| Introduction | 86 |
| The importance of video games | 87 |
| The types of video games related to archaeology | 88 |
| Roles and representations of female characters | 90 |
| The roles and representation of men | 93 |
| Discussion | 95 |
| Conclusion | 97 |
| Acknowledgements | 98 |
| Video Games References | 98 |
| Bibliography | 98 |
| Armour Fetishism, Homosociality and Masculine Display. The Representations of Medieval Knights and Viking Men in Illustrated Non-fictional Books for Young Readers (Katja Fält) | 103 |
| Abstract | 103 |
| Zusammenfassung | 103 |
| Introduction | 104 |
| Representations, fabrications and non-fiction | 105 |
| Examining masculinities | 107 |
| Assembling masculinity – metal warriors and chivalric subjects | 109 |
| Down-to-earth masculinity of Viking men and occasional bulging muscles | 115 |
| To conclude | 120 |
| Sources | 121 |
| Bibliography | 121 |
| The Image of Women in Spanish Archaeological Museums during the last Decade. A Gender Perspective (Lourdes Prados Torreira and Clara López Ruiz) | 127 |
| Abstract | 127 |
| Zusammenfassung | 127 |
| Introduction | 127 |
| Incorporating the gender perspective to archaeology museums in Spain | 129 |
| How can images help to integrate women in history? | 130 |
| The importance of a gender perspective-oriented museum discourse | 138 |
| Bibliography | 140 |
| „Archäologie und Geschlecht“ im Germanischen Nationalmuseum, Nürnberg. Eine Bestandsaufnahme (Claudia Merthen) | 145 |
| Zusammenfassung | 145 |
| Summary | 145 |
| Die Dauerausstellung – Geschlechter und Rollen | 146 |
| Zur Vermittlung der Vor- und Frühgeschichte am Museum | 154 |
| Geschlecht und Karriere | 160 |
| Fazit | 162 |
| Nachwort | 165 |
| Dank | 166 |
| Literatur | 167 |
| Frau – Mann, Jung – Alt, Arm – Reich. Museale Darstellung und Visualisierung frühmittelalterlicher Gesellschafts- und Gender(re)konstruktionen im Landesmuseum Württemberg (Kirsten Eppler) | 171 |
| Zusammenfassung | 171 |
| Abstract | 171 |
| Die Ausstellung | 173 |
| Die Präsentation | 174 |
| Biologisches und soziales Geschlecht | 180 |
| Fazit | 181 |
| Literatur | 182 |
| Horkheim, Klingenberg, Talheim. Geschlechterrollen in der Archäologischen Sammlung der Städtischen Museen Heilbronn (Christina Jacob) | 185 |
| Zusammenfassung | 185 |
| Abstract | 185 |
| Neuzeit/Mittelalter | 186 |
| Franken/Alamannen | 186 |
| Römer | 187 |
| Eisenzeit/Bronzezeit | 189 |
| Steinzeit | 190 |
| Fazit | 193 |
| Literatur | 194 |
| Man the Hunter?Zur Konzeption von Geschlechterrollen im paläon, Forschungs- und Erlebniszentrum Schöninger Speere (Gabriele Zipf) | 197 |
| Zusammenfassung | 197 |
| Abstract | 197 |
| Bilder in Ausstellungen | 197 |
| Die Schöninger Speere und das paläon | 199 |
| Geschlechterrollen in der Ethnografie | 201 |
| Beispiele der Umsetzung | 203 |
| Die Collage | 203 |
| Plastik eines Homo heidelbergensis | 206 |
| Das Diorama | 207 |
| Die Illustrationen | 209 |
| Die „kleinen“ Bilder | 212 |
| Schluss | 214 |
| Literatur | 214 |
| List of Contributors / Die Autorinnen, Autoren und Herausgeberinnen | 217 |
